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If it's New Orleans as well as the novel's main characters happen to be dead for many years but are still travelling terrorizing people, it must be an Anne Rice adventure. Nevertheless it isn't--it's the first inside a new series starring a fascinating heroine, Seattle parapsychologist Cree Black, whose own murky past and treasured tokens make her the ideal choice to investigate a haunted house inside Garden District along with the family that's slowly being scared to death. Lila Beauforte has moved back in her ancestral home, now inhabited by ghosts who seem bent on driving her out. Cree, her senses more attuned for the presence of revenants than flesh-and-blood bad guys, shakes enough closets in Beauforte House to bring the skeletons out, solve mysteries of the past too since the present, and fall in love with an equally appealing if more common investigator with the unconscious who may be able to help her free herself from her very own emotional prison. She's a smart, vulnerable, and attractive character in an unearthly and unusual thriller that starts a promising new series using a howl and presages an extended run around the bestseller list. --Jane Adams
Hecht's New Age ghost story introduces Cree Black, a psychologist of renown transformed years ago into a hyper-empathic ghostbuster by way of a spectral visit from her beloved husband. Lured from her upscale Seattle offices to a spirit-infested mansion inside the heart of decadent New Orleans, she immediately identifies with all the haunted socialite Lila Beauforte. This enables reader Fields to showcase her skills, as Cree's somewhat brusque, unaccented speech subtly shifts in to a quavering southern drawl. The actress also uses an impressive selection of bayou accents to distinguish the opposite New Orleanians-from the good ol' boy gruffness of Lila's worried husband on the cultured, iron magnolia locutions of her aristocratic mother. The novel has its share of spooky suspense-courtesy of anthropomorphic furniture, disappearing snakes plus a pig-faced man-ghost with rape on its mind-and is filled up with enough scientific rationale to make these sinister shades seem surprisingly credible. But the origin of the ghosts isn't difficult to discern, and also the many repeat analyses from the case elements will lead restless listeners to agree with Cree's assistant Joyce Wu when she complains (in Fields's amusingly on-target Long Island accent), "The metaphysics he-ah are a complete no-brain-ah, and I'm sick 'a goin' over it as well as over it."
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