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In this excellent recording of Foer's second novel, Woodman artfully captures the voice of nine-year-old Oskar Schell, the precocious amateur physicist who is wanting to uncover clues about his father's death on September 11. Oskar—a self-proclaimed pacifist, tambourine player and Steven Hawking fanatic—is the perfect combination of smart-aleck maturity and youthful innocence. Articulating the large words slowly and carefully with only a hint of childishness, Woodman endearingly conveys the voice of your child who is wanting desperately to sound just like an adult. The parallel story lines, beautifully narrated by Ferrone and Caruso, add variety for the imaginative and captivating plot, but they don't translate quite as seamlessly into audio format. Ferrone's wistful growl is ideal for that voice of your man who are able to will no longer speak, but since the listener actually gets to hear the text that this character can only convey by writing over a notepad, his frustrating silence is much less profound. Caruso's brilliant performance as an adoring grandmother can also be noteworthy, nevertheless the meandering stream-of-consciousness type of her and Ferrone's sections are occasionally hard to check out on audio. Although it can be Oskar's poignant, laugh-out-loud narration that will make this audio production indispensable.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Adult/High School-Oskar Schell just isn't your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. Younger crowd collects random photographs for his scrapbook and sends letters to scientists. When his father dies within the World Trade Center collapse, Oskar shifts his boundless energy with a search for answers. He finds an important hidden as part of his father's items that doesn't fit any lock within their New York City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to talk to everyone in The big apple City using the surname of Black. A retired journalist who keeps a card catalog with entries for everybody he's ever met is just one with the colorful characters the boy meets. Such as Things Are Illuminated (Houghton, 2002), Foer needs a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further using the inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works as being a deceptive, glitzy cover for a fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the Wwii bombing of Dresden. Even though this story is less than as evocative as Oskar's, it lets you do carry forward and connect firmly to the rest from the novel. The two stories finally intersect inside a powerful conclusion that can make even probably the most jaded hearts fall.-Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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